Beauty - An Historical Perspective
The
concept of Beauty can refer to a particular person, a
special place, an object of interest or even the concept of an idea,
all of
which can provide a perceptual experience related to pleasure, meaning
or
satisfaction.
The
study of beauty is intrinsically a part of aesthetics, sociology,
social psychology and culture. In the form of a cultural creation,
beauty has
become extremely commercialised.
The
characterisation of an "ideal beauty" is
represented in a person who is admired, or possesses features widely
associated
with beauty in a particular culture. There are many historical figures
that have
come to personify beauty itself, such as Cleopatra, Helen of Troy, and
Marilyn
Monroe. The subjective experience, which refers to the sensory buzz and
awareness associated with a perceptive mind, related to "beauty",
often involves the interpretation of some entity as being as one and in
harmony
with nature, which may lead to feelings of attraction and emotional
well-being.
Beauty,
as expressed by the popular saying, is in the eye of
the beholder. In its most profound sense, beauty may engender a salient
experience, which refers to a state or quality of standing out relative
to
neighboring objects, of positive reflection about the meaning of one's
own
existence. Something that reveals or resounds with personal meaning may
indeed
be regarded as an object of beauty.
In
classical Greek mythology, beauty was associated with the
idea of "being of one's hour". Accordingly, a ripe fruit, which is
“of its time”, was considered beautiful, whereas a young woman trying
to appear
older or an older woman trying to appear younger would not be
considered
beautiful.
It
was in the submissions of the ancient Greek philosophers,
such as Pythagoras, that the earliest Western appreciation of beauty
was to be
found. The school, personified by Pythagoras, discovered that there was
a
strong connection between mathematics and beauty.
In
particular, they noted that objects proportioned
according to the golden rule, which can be expressed as a mathematical
constant
with a value of 1.618, seemed more attractive. In fact, this view of
symmetrical structures that were in proportion is based on ancient
Greek
architecture.
It
has been found that people whose facial features are
symmetric and proportioned, in accordance with the golden ratio, are
considered
more attractive than those whose faces are not. Another important
factor is
that of symmetry since it suggests the absence of any hereditary or
acquired
defects. In fact, one of a number of aesthetic characteristics,
including being
average and that of youth, which are associated with the health,
physical
attractiveness and, ultimately, the beauty of a person, is associated
with the
concept of symmetry, especially that of facial features.
Even
though there may be significant changes in image and
fashion, it has been found that people's interpretation of beauty may
be
defined in a number of ways. In this respect, eyes that are large and a
complexion that is soft and clear, are especially desirable. Further,
such
features are most certainly considered beautiful, irrespective of
gender, and
certainly regardless of culture.
Interestingly,
the features of a newborn baby are inherently
attractive, and youthfulness is a timeless characteristic that is
always
associated with beauty. Early in child development, there is evidence
to
suggest that an affinity for beautiful faces emerges, and this
definition of
attractiveness is regardless of their gender or culture.
Beauty
– How To Succeed
Peter
Radford writes Articles with Websites on a
wide range of subjects. Beauty
Articles cover History, Human, Society, Mathematics, Philosophy.
His Website contains
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View
his Website
at: beauty-how-to-succeed.com
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